東漢出廓神面鏤空黃玉璧; 長47公分;圓直徑33.5公分;厚度0.7公分;本器黃玉雕琢, 雙面對稱雕琢, 形制為出廓玉璧, 出廓部分中央下方為良渚風格神面淺浮雕, 上方及左右飾龍鳳紋鏤刻; 玉璧分為二區, 外區上方飾雙鳳形成的抽象神面, 左右及下方飾半人半獸的抽象人物, 附鰭龍紋, 鳥紋,  如意雲紋; 內區飾鏤刻龍鳳紋. 本器刀工精美, 多處應用管鑽技法, 線條細膩婉轉, 融合東西方風格的神秘圖騰提供了欣賞者無限暇想. 就文物價值而言, 本器器型碩大,在淺浮雕紋飾之上表現游絲毛雕工藝及管鑽手法, 圖騰融合東西文化元素, 堪稱珍罕中華玉雕瑰寶;  本器古玉跡象有增生晶體及樹根狀覆蓋物, 礦石附著物, 鈣化, 土沁, 溶蝕孔, 冰裂紋及差異風化等。(台灣頤和園博物館藏品, 陳明杰鑑賞並撰文) Eastern Han Dynasty Open-work Jade Bi, D. 33.5cm, T. 0.7cm. Carved with yellow tone jade, the object is jade bi with  open-work carving attached annex. The bi is decorated with symmetrical motifs on both sides. On the lower portion of attached annex, the low relief carving God’s face of Liangzhu Culture style is decorated, both sides of the God’s face is decorated with open-work dragon and phoenix motifs. For the main part of the bi, the design is divided into two sections. The outer section, the abstract form of God’s face formed by two phoenixes, half human half animal abstract form motifs, dragon with fish fin, phoenix and auspicious cloud motifs are decorated at the bottom, left  and right hand side area of the bi. The motifs are mixed with Chinese and western cultures. With mastery carving, this bi has antiquity evidences of additive crystals, calcification, dissolved pits and differential weathering. ( A collection of Peace Garden Museum, Taiwan, script by Prof. Mitchell Chen)