东周黄玉瑞兽玉佩饰,Eastern Zhou Dynasty Jade Plaque, L.22cm

Sold for 26,570,000 HKD at the Sotheby HK April 2019 Auction

古玉界 4月3日

瑞兽造形融合现实与想象,线条流利优雅,满富韵律感,曲直之间,勾勒猛兽慑人姿态,兽身细琢阴刻,浮雕纹饰隐约,刚柔并济,气势万千。

存世兽形佩虽大同小异,然现例之腿部以阴刻曲线做凤鸟纹与龙纹,独树一格,突显当朝常贝鸟兽纹羽状、曲卷的特征,设计流畅简约,精练脱俗,无冗赘之处,寥寥数笔已明确捕捉神兽气韻。

Integrated with reality and imagination,  the auspicious animal has been carved with elegant and gracious lines.  Full of rhythmic feeling, the curved and straight presentation has depicted the animal fierce posture. The total curving of motifs has vaguely shown that mixed with strong and soft elements full of variation.

While exiting jade plaques with similar shape and size are common, this jade plaque is unique that the intaglio phoenix and dragon motif on the jade plaque is marvelously present the characteristics of Eastern Zhou Dynasty style. With all these excellent elements, this jade plaque worth the price it settles at this Sotheby spring auction.

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古玉鑑價, Jade Appraisal

19.7公分,寬13.5公分-厚0.6公分 (2)儘管一般的說法是玉無價,這是從主觀而言,然而在客觀上,古玉的價格還是會受到某些因素的影響。一般而言,古玉的鑒價可以根據下列因素為之:

1.玉質:是否為和闐玉, 和闐玉中的水料, 尤其是羊脂白玉, 最為珍貴.
2.器物的大小與完整性: 一般而言, 完美無缺的玉器較值錢.
3.刻工的精緻:刻工越精緻,越難得也 越討人喜歡, 當然越值錢.
4.市場的偏好: 華人場大多偏愛佛教文物及吉祥物.
5. 唯一性或稀少性: 歷史上唯一的一件, 如和氏璧, 因為祇有一件, 當然值錢.
6.市場流通性:玉器在蘇富比或嘉世德等國際拍賣公司的價格是一般市場的十倍百倍,原因在於這些國際拍賣公司保證在其市場所購得的玉器可以再度在其市場上流通.

s__3645444Applying partly Dr. Daphne Lange Rosenzweig’s appraisal factors, I have established scales for each factor, including rareness, historical and cultural significance, quality of jade, workmanship, size in the range index of 1 to 10 to reach weighted average (It should be noted that the indexes of historical and cultural significance and rareness should overwrite the other indexes). To assign each index a monetary value, we may reach an appraisal value (in addition to the market approach). From the beginning, the index only assigned by myself. In the future, I will try to contact outside experts to have their opinions to practice a Delphi Method approach for the Chinese antique jades appraisal.

For example, the appraisal index for the 紅山文化玉鷹, Hongshan Culture Jade Eagle H. 25cm, W. 22cm, 3500grams is as follows:
1. quality of jade: 10
2. rareness: 10
3. historical and cultural significance: 9
4. workmanship: 9
5. size:10
6. condition: 10

 

 

 

<易經>是故形而上者謂之道, 形而下者謂之器, 化而裁之謂之變, 推而行之謂之通, 舉而措之天下之民, 謂之事業. <The Text of Yi King>Hence that which is antecedent to the material form exists, as an ideal method, and that which is subsequent to the material form exists, as a definite thing.

龍圖騰的呈現藝術及其在中華玉文化的內涵The Dragon Presentation Art & Its Implication of the Chinese Jade Culture

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S__3842053中國自從夏朝開始,自稱為龍的傳人。本文擬從 龍的形象及龍的功能加以探討龍圖騰的呈現藝術及其在中華玉文化的內涵。1.龍的形象: (1)從象形文字分析: 許慎《說文解字》云:「象形者,畫成其物,隨體詰詘,日、月是也。」 用文字的線條或筆畫,把要表達物體的外形特徵,具體地勾畫出來。例如「月」字像一彎月亮的形狀。以此類推,我們有理由相信甲骨文的龍字,像閃電的形狀。閃電之後大都雷雨交加,因而五穀豐收。因此,以龍圖騰器物作為向天祈雨的器物,便形成戰國以來各種形態紋飾多為谷紋的龍形珮。(2)從龍形象進化分析: 夏朝自稱是龍的傳人,而夏朝的主要圖騰之一為青蛙,青蛙在水邊產卵,這些青蛙卵經過四或五天形成蝌蚪。從夏朝玉瑗上的蝌蚪紋飾推論,蝌蚪可能是龍S__3842054最原始的形象。2. 龍的吉祥特質:龍既然能帶來雨水,便能五穀豐收,人們自然視龍為吉祥物,為了兼顧陰陽男女,進而創造出鳳鳥,春秋玉璧以無限的創造力,將鳳鳥與龍的形象合為一體,以鳳鳥作為龍的組合件。3. 龍的皇帝象徵: 以龍爪的數目作為各朝代皇帝的代表,例如唐代以三爪龍為最尊貴,清代以五爪龍為最尊貴。The Chinese are attributed themselves as the descendants of dragons. Here we try to explore the dragon presentation art & its implication on the Chinese jade culture. 1. The form of the dragon: according to the formation of Chinese characters, one type of characters were formed from the shape of the corresponding object it implies. Like the Chinese character sun (日) has the form of the sun. In oracles of the Shang Dynasty, the character of the dragon has the shape of lightning. We may infer that the original meaning of the dragon may be the lightning. From the natural phenomenon,  rain and thunder will follow after the lightning.  Rain will make crops grow, people will have a good harvest. In this sense, the dragon is an auspicious animal. In terms of jade carvings, crops are the main motif on the dragon carvings. In addition,  to order to have a balanced concept to include male and female, day and night, the concept of phoenix has been developed. This is well explained by the motif of a Spring-Autumn bi of which the motif of a dragon is composed of a phoenix, the dragons are further become the parts of God’s.  Finally,  dragons have evolved into a symbol of an emperor with the different number of claws in different dynasties. For example, in the Tang Dynasty, three claws of a dragon are the number for the Imperials while in the Qing Dynasty, five claws are considered most noble.

 

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