良渚文化玉器神徽雕琢型式之變化, Varieties of Liangzhu motif carving style

良渚文化玉器神徽雕琢型式可以區別為下列三種方式: 1. 減地平浮雕:  神徽部分整體平坦隆起, 其他部分(地子)整體高度下降. 2. 壓地平浮雕:  神徽部分整體平坦其他部分(地子)整體高度相等, 與神徽部分外緣接觸部分傾斜下陷. 3. 減地淺浮雕:  神徽部分本身高低起伏, 其他部分(地子)整體高度下降.

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戰國和田白玉馬踏飛燕擺件, Warring States Jade Galloping Horse Stepping on the Flying Swallow, H.17cm, L.22cm, W.7cm

-尺寸高17公分-長22公分-厚7公分A

本器和田白玉雕琢 , 形制為馬踏飛燕。本器造型採簡化抽象手法 , 馬匹呈四腳騰空狀 , 右前腳向前 , 右後腳踏住燕子, 以表徵馬匹騰空於天際; 馬匹上飾商周風格刀卯紋淺浮雕。頭上馬鬃以長條方柱示 , 嘴巴以雙U形減地浮雕為之, 生動優美 , 似乎發出嘶嘶叫聲。本器刀工古樸華麗, 堪稱白玉馬踏飛燕玉雕經典之作, 為宮廷珍罕擺設。本器鈣化古玉跡象明顯 , 其他古玉跡象有冰裂紋 , 差異風化等。(台灣頤和園博物館藏品, 陳明杰鑑賞並撰文) Carved with white Hetian jade, the object is a galloping horse stepping on a flying swallow. Simplifying and abstract carving style is applied, the mane is represented with a solid square tube. The mouse is represented by two layer U form. Left back leg is stepping on a swallow. Low relief lines with Shang and Western Zhou Dynasties style are decorated on the body of the horse. Antiquity evidences are calcification, dissolved pits and differential weathering. ( Peace Garden Museum Taiwan Collection, Scripts by Prof. Chen)